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Ivanna Ternay

Flutes

Welche Person/ welches Ereignis hat Sie als Musiker maßgeblich geprägt und warum?
Meine Mutter, weil sie für uns viel gesungen hat.

Kuriose Orte, an denen Sie musiziert/ geübt haben?
Küche, Keller, ICE, Wald

Wenn Sie nicht Ihr Instrument spielen würden, welches würden sie dann wählen?
Horn, weil ich den Klang so edel finde.

Gibt es weitere Interessen/Leidenschaften neben der Musik?
Ja! Ich habe seit 2013 zwei Großprojekte am laufen – meine beiden Kinder. Sonst asiatische Kampfkünste und Krimi lesen. 


Welche drei Musikstücke würden Sie auf die berühmte Insel mitnehmen?
Pat Metheny „Last train Home“, Bachs Englische Suiten mit Andras Schiff und eines der Lieder mit Christian Gerhaher

Was war Ihre letzte musikalische Entdeckung?
Kammermusik von Charles Koechlin. Aufgenommen von meinen Idolen. Traumhaft!

Was ist Ihr persönlicher Musikeralbtraum?
Den hatte ich schon hinter mir in Salzburg :) als ich vor dem Aufgang des Maestros ein Extra-Applaus bekommen hatte :)

Welche Musikerklischees würden sie gerne geraderücken?
Die Piccoloflöte kann schöner klingen als Zahnbohrer.

 

 

BIOGRAFIE

Ivanna Ternay has been a member of the Symphonieorchester des Bayerischen Rundfunks since the 2011 season.

A native of the Ukraine, she began her musical training when she was six years old at the “Mykon Lysenko” special school for music in her home town of Kiev. She then studied with Prof. Irmela Bossler at the Academy of Music and Theatre Leipzig. Four years later she transferred to Prof. Davide Formisano at the Music Academy in Stuttgart.

During this period she was the recipient of a grant from the Villa Musica and the Alfred Toepfer Foundation. She won several national and international flute competitions (Haifa, Moscow, Leipzig, Kiev), completed a period as orchestral trainee at the Municipal Theatre in Pforzheim and received two consecutive grants from the Ukrainian President’s Fund. In the spring of 2006 she received an award from the DAAD (German Academic Exchange Service) for outstanding achievements by foreign students and a further grant from the “FTL Fund”.”

Ivanna Ternay supplemented her studies with a number of master classes, given by Jean-Claude Gérard, Peter-Lukas Graf, Sir James Galway, Jeanne Baxtresser, Andrea Lieberknecht, Renate Greiss-Armin, Gaby Pas van Riet and Maxence Larrieu. After a successful diploma she was accepted for post graduate studies at the Music Academy in Stuttgart in the solo class taught by Prof. Davide Formisano and completed this course in 2011 with another “cum laude”.

She was a member of the Bach Academy under Helmuth Rilling and played regularly in both the Stuttgart and South West German Chamber Orchestras. She was engaged as principal flutist in the Tyrolean State Theatre and the Symphony Orchestra of Innsbruck as well as the Bamberg Symphony. In the summer of 2010, she was a finalist in the 50th ARD International Music Competition and received the “BR-KLASSIK Prize”.



Ivanna TErnay (Flute) und Henrik Wiese (Solo-Flute)

Gold or silver? Clean the instrument or not? What influences the sound? This is what Ivanna Ternay and Henrik Wiese are talking about in our new episode “Von Pult zu Pult”. And they do not always agree…

“A peek through the keyhole” with Ivanna Ternay (april 2017)

In this series of videos about our chamber music concerts, musicians grant insight into chamber music subtitles and answer spontaneously without knowing the questions beforehand.

More videos of the series


“A peek through the keyhole” with Ivanna Ternay (May 2015)

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